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This article brings perspectives from three Māori activists, each promoting issues of self-determination in different ways. It centres on tino rangatiratanga and mana motuhake, two concepts that inform modern Māori activism and life and practice, and more recently conceptions of Māoridom as “nation”. Using a Gramscian framework we argue that the New Zealand state has over time created a notion of one people within one state, and has in the past incorporated challenges to its legitimacy within a framework of popular consent. The desire by some Māori activists for self-determination promotes a separateness that to some extent challenges this idea of nation–state unity. An examination of these modern Māori activist politics allows us to observe the operations of hegemony as it forms and reforms in modern New Zealand.
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When considering how Maori political rhetoric fits within the New Zealand political landscape it is necessary to ask what makes such rhetoric distinctive and important. In this paper I examine three areas of distinctly Maori political rhetoric; the unique locations of Maori politics, the formalities to be observed by speakers and the use of particular rhetorical devices by Maori speakers, including the use of Maori language and waiata (song). Given the ways that the distinctive nature of Maori political rhetoric is often undervalued, misinterpreted of misrepresented by many non-Maori, the questions which underlie the discussion here must be around what the implications of this situation are for Maori and non-Maori.
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The primary purpose of this thesis is to provide a way in which the law can protect and respect Te Mana Motuhake. In the course of achieving this purpose, the meaning of Te Mana Motuhake o Tūhoe is discussed. Firstly, a discussion is presented on the concept of mana motuhake as a part of tikanga Māori. Like all tikanga Māori, mana motuhake is sourced from Māori cosmogony. Secondly, a Tūhoe specific analysis of mana motuhake is presented. While mana motuhake has unique meanings for different iwi, for Tūhoe, mana motuhake is connected to Te Urewera, the lands within which they dwell, the lands that sustained Tūhoe in times of adversity and in times of peace. Mana motuhake is also intertwined with Tūhoetanga or Tūhoe identity. Mana motuhake is in the songs Tūhoe sing, the haka Tūhoe perform, and the phrase adorns the flag that has become known as Tūhoe’s symbol. Mana motuhake for Tūhoe is also about having Tūhoe control over the governance of Te Urewera. To create avenues through which the law can better respect mana motuhake, the Urewera District Native Reserve Act 1896 is analysed. Although this Act was considered by Tūhoe to give recognition to Te Mana Motuhake o Tūhoe, an analysis of this Act reveals that mana motuhake was not recognised. This thesis concludes with notes for a draft Act which would capture and reflect the essence of Te Mana Motuhake o Tūhoe. These notes are not intended to be a full draft of an Act and many decisions regarding Tūhoe tikanga are left for Tūhoe to determine. However, the notes do intend to give life to the essential aspects of Te Mana Motuhake identified in this thesis, which are Tūhoe Land, Tūhoe People and Tūhoe Self-determination.